TryShadowing
Shadow YouTube. Nói tiếng Anh.
Trang chủ
Khám phá
Chép chính tả
NEW
Thư viện
vi
0
ngày
Đăng nhập
The Silence… — Lessons from the Screenplay luyện shadowing | TryShadowing
TryShadowing
Shadow YouTube. Nói tiếng Anh.
Trang chủ
Khám phá
Chép chính tả
NEW
Thư viện
vi
0
ngày
Đăng nhập
Trang chủ
Khám phá
Lessons from the Screenplay
The Silence of the Lambs — Dissecting a Scene
The Silence of the Lambs — Dissecting a Scene
Lessons from the Screenplay
·
10:45 · 28 thg 2, 2019
Bắt đầu học
0:00
0:00
Ghi âm
×1
1x
VI
EN
JA
KO
ZH
FR
PT
TH
IT
DE
IPA
Chấm điểm phát âm chưa hỗ trợ trên trình duyệt này — bạn vẫn ghi âm & nghe lại được.
hi
I'm
Michael
this
Đang dịch…
Bật Ghi âm để được thu giọng và chấm điểm
Thông minh
Karaoke
Câu gốc
Câu
1
/240
0:00
hi I'm Michael this
0:02
is lessons from the screenplay
0:04
The Silence of the Lambs is a thrilling film in many respects
0:08
but we tend to remember it for one particular thing
0:12
a census taken once tried to test me I ate
0:15
his liver with some fava beans
0:18
and a nice Chianti
0:20
the tense fascinating scenes between Clarice Starling and dr.
0:25
Hannibal Lecter according to Syd field author
0:30
of screenplay this should come as no surprise
0:33
good scenes make good movies the
0:36
scene is the single most important
0:38
element in your screenplay it
0:40
is where something happens
0:41
where something specific happens the
0:44
place in which you tell your story
0:46
each of the four face-to-face
0:48
interactions between Clarice and dr.
0:51
Lecter are not only pieces of a larger narrative of
0:54
how to catch them carry their
0:56
stories unto themselves so
0:58
today I want to look at the anatomy of one specific
1:01
scene the third interaction
1:03
between Clarice and dr.
1:04
Lecter to examine how this scene follows the same three act structure found in
1:09
most Hollywood screenplays and to
1:11
explore how the structure
1:12
ensures that the scene is fulfilling
1:14
its greater purpose in the narrative
1:16
let's take a look at the
1:18
Silence of the Lambs
1:24
in his book into the woods John
1:27
York seems like acts and like stories have
1:31
their own three act structure and mimic
1:33
exactly an archetypal story shape in a
1:36
conventional screenplay the first act is where were introduced to the protagonist usually
1:40
meet the antagonist and learned
1:42
that information we need to follow the story the
1:45
same is true for the first act of a scene it's
1:48
all about establishing the
1:49
information we need to follow the story of this scene but
1:53
by the third scene between Clarice and dr.
1:55
Lecter we've already met the protagonist and
1:57
antagonist of the scene so rather
2:00
than serving as an introduction to the characters themselves the
2:03
set up is an introduction to
2:04
their desire desire is the driving force behind every
2:09
dramatic scene in this
2:10
scene Clarice wants Lecter to share his insight on the serial killer she's trying
2:14
to track down if
2:16
your profile helps us catch Buffalo
2:18
Bill in time to save Catrin
2:21
Martin senator promises you a transfer a
2:24
VA hospital and own native Park
2:27
New York with a view of the woods nearby maximum
2:29
security still applies of course Lecter
2:31
is tempted by the offer and Clarice
2:33
feels like she has the upper hand Katherine
2:36
Martin dies you get nothing
2:38
but if he simply agreed the
2:41
scene would be boring
2:42
the drama of the scene comes from the obstacle
2:45
standing in the protagonists
2:47
way in this instance the obstacle
2:50
comes as Lecter makes a counter demand an interruption
2:53
to her plan that creates the inciting incident of
2:55
the scene if I help you Clarice it will be turns with
2:59
us too but pro quo I tell you things you tell me
3:02
not about this case though budgets
3:05
vic pro quo now
3:10
there's drama yes and out there is poor
3:13
little Catherine is waiting part
3:15
of what makes this a scary proposition are
3:17
the antecedents of the scene all
3:19
the information the audience has been given about how dangerous dr.
3:23
Lecter is Clarice has seen the precautions
3:26
the asylum staff take when dealing with dr.
3:28
Lecter and she's been warned outright not to engage him on a personal
3:32
level be very careful
3:34
but Anibal left her and
3:36
you did tell him nothing personal
3:37
Starling believe me you don't want Hannibal Lecter inside your head in
3:41
fact we've heard that dr.
3:42
Lecter caused one of his fellow inmates to kill himself simply
3:45
by talking to him the
3:47
orderly heard Lecter whispering to him all afternoon and
3:50
makes crying they found him at bed check he'd swallowed his own tongue
3:53
so now the protagonist must
3:55
make a choice follow
3:57
the rules and protect herself or
3:59
volunteer personal information to a sophisticated
4:02
manipulative serial killer got
4:05
out and with that the
4:07
scene launches into actitude
4:09
confrontation act 2 is where the protagonist and antagonist come
4:14
into direct conflict Clarice
4:17
simply wants information to help her catch Buffalo Bill but
4:20
now she encounters her first obstacle
4:23
artists y'all worst memory
4:25
of childhood death and Wafaa in
4:29
the first half of act 2 Lecter
4:32
relentlessly asks Clarice questions about one of her most painful
4:36
tell me about it and don't lie right
4:39
now he was a town marshal yeah
4:44
one night he surprised
4:47
two burglars coming out of the back of drugstore
4:50
they shot him this
4:53
continues until it seems like he's satisfied a
4:56
very friend arrays I
4:59
think it would be quite something to know even privately
5:02
and she makes a move toward
5:05
her desire quid pro quo down here
5:08
the scene reaches its midpoint as
5:10
the Lecter starts to provide her with useful information about
5:13
Buffalo Bill the significance
5:15
of the Mothe has changed
5:18
caterpillar into chrysalis or pupa
5:21
from thence and the beauty
5:24
our ballet wants to change
5:27
Clarice is beginning to get what she wants but
5:31
the scene isn't over
5:33
this was just a tease it's
5:36
up close to the way you're gonna catch him do you realize that no
5:39
tell me why and
5:40
if she wants to hear the rest she'll
5:43
have to continue to play Electra's
5:44
game after father's murder you are often what
5:47
happened next in the second half of act 2 overcoming
5:51
the obstacle gets harder and as a result the tension increases
5:55
I don't imagine the answer is on those second-rate shoes Gary
5:59
Lecter zeroes in on what seems to be the most painful memory
6:03
Clarice has I went
6:05
to live with my mother's cousin and her husband in
6:08
they had a wreck I
6:09
was at the cattle ranch sheep
6:12
and horses and pushes
6:14
until the cena reaches its crisis
6:16
Lecter is now inside
6:18
Clarice's head Clarice must choose if she's willing to share these details
6:23
with Hannibal Lecter how
6:25
long did you live there
6:27
two months I said
6:29
briefly I ran away by
6:33
although Clarisse doesn't reveal all the details of
6:36
this traumatic event in this scene she's
6:38
taken a big risk and allowed herself to be vulnerable with
6:41
Lecter quid pro quo and
6:44
as a result of this choice the
6:46
scene moves on to Act three
6:48
resolution a scene is resolved when a character either achieves or fails
6:53
to achieve their desire but
6:56
beyond simply resolving the goal of a character a scene
6:59
must serve a greater function in the narrative and here
7:02
at the end of the scene it's easiest to determine
7:04
if it has an screenplay
7:06
Syd field writes the
7:08
purpose of the scene is twofold
7:10
either it moves the story forward
7:11
or it reveals information about
7:13
the character this scene between Clarice
7:15
and Lecter has revealed character
7:17
in two ways the
7:19
most obvious way is how Clarice is forced to share part of her traumatic
7:22
backstory via dialogue but
7:24
deeper character is revealed through
7:26
the choices that both Clarice and Lecter make when
7:29
presented with an appealing offer Lecter
7:31
was more intrigued by learning about Clarice
7:33
and each turning point in the scene the inciting incident the
7:37
midpoint and the crisis essentially
7:39
asks her what are you willing to do to get what you want and
7:43
her decisions reveal character
7:45
the scene moves the story forward
7:48
as well an act
7:50
three Clarice is rewarded
7:52
for overcoming the obstacles
7:53
as the scene reaches its climax and Lecter finally tells her what she needs
7:57
to know and you said that I was very close to the way we
8:00
would catch him what did you mean
8:02
there are three major centers
8:04
for transsexual surgery Johns
8:05
Hopkins University of Minnesota and Columbus Medical Center I wouldn't
8:10
be surprised if Billy had applied for sex reassignment and
8:13
one or all of them and been
8:15
rejected Clarice has the next clue she needs to continue her hunt for Buffalo
8:20
Bill and in the final moments of the scene we
8:23
see that the psychiatrist dr.
8:24
Chilton has been monitoring
8:26
their conversations he has an agenda of his own by
8:31
the end of Act three the
8:32
protagonist has resolved her desire we've
8:35
learned more about each of the characters and the
8:37
story has been moved forward
8:40
every interaction between Clarice and dr.
8:43
Lecter is a story in miniature
8:44
following their struggles to
8:46
obtain their desires some
8:49
scenes come in some
8:50
get out early but
8:52
they all ultimately follow
8:53
a three-act structure and each
8:55
moves the story forward revealing
8:57
character and following Clarice's journey
9:01
at the land stop
9:03
screen or the Silence of the
9:06
Lambs in the case of the Silence of the Lambs there
9:10
are few interesting differences
9:11
between the book and the film in
9:13
the book the story is told from a more omniscient
9:16
point of view but
9:17
for the film screenwriter
9:19
Ted Hawley chose to focus on Clarice as the protagonist if
9:22
you want to check out the book I recommend
9:25
and listening to the audiobook an audible
9:27
I really love audible and have found it useful in ways I wouldn't have
9:31
guessed for example I've been pretty sick this last week if you can't tell
9:35
so I've been trying to stay in bed when possible
9:38
being able to rest in bed while also continuing
9:41
to make my way through Harry Potter allowed
9:43
me to make the best to the less than ideal situation
9:46
and you can start a 30-day trial of audible today and get your first
9:50
audiobook for free by
9:51
going to audible.com/veritasium slash
10:00
l.f.t.s or text to l.f.t.s
10:03
- 500 500 thanks
10:05
to audible for sponsoring this video and for helping me get over my cold
10:09
a little bit quicker
10:10
hey guys hope you enjoyed the video we
10:13
are almost at a million subscribers which
10:16
is just a ridiculously
10:17
big number but so we'll be back next month with something a little fun
10:21
to celebrate if you haven't yet you should check out the new podcast
10:25
beyond the screenplay it's available wherever
10:28
you get your podcasts
10:29
and new episodes on Good Will Hunting and
10:32
on the Silence of the Lambs will be coming out very soon
10:34
thank you as always to my patrons
10:36
on patreon and supporters
10:38
here on YouTube for making this channel possible thanks
10:41
for watching and I'll see you next time
Thích
Chia sẻ
Lessons from the Screenplay
Xem tất cả →
C1
Phim ảnh
Karaoke
12:18
No Country for Old Men — Don't Underestimate the Audience
Lessons from the Screenplay
5
C1
Phim ảnh
Karaoke
13:43
Parasite — The Power of Symbols
Lessons from the Screenplay
2
C1
Phim ảnh
15:13
Mad Men — Layers of Meaning
Lessons from the Screenplay
3
C1
Phim ảnh
Karaoke
12:53
Good Will Hunting — The Psychology of Character
Lessons from the Screenplay
2
C1
Phim ảnh
Karaoke
12:11
The Last Jedi — Forcing Change
Lessons from the Screenplay
3
C1
Phim ảnh
Karaoke
13:36
The Soul of Good Character Design
Lessons from the Screenplay
C1
Phim ảnh
9:30
One Marvelous Scene — Spider-Man: Homecoming
Lessons from the Screenplay
1
C1
Phim ảnh
Karaoke
10:47
Shaun of the Dead — Why Comedy Needs Character
Lessons from the Screenplay
Video gợi ý
B1
Phim ảnh
Karaoke
50:19
The Ones That Make You Laugh | Friends
Friends
6
B1
Phim ảnh
7:22
ROSÉ Reminisces on Her BLACKPINK Audition, Shows Jimmy How to Play the APT. Drinking Game (Extended)
The Tonight Show Starring Jimmy Fallon
1
C1
Phim ảnh
Karaoke
12:18
No Country for Old Men — Don't Underestimate the Audience
Lessons from the Screenplay
5
C1
Phim ảnh
Karaoke
13:43
Parasite — The Power of Symbols
Lessons from the Screenplay
2
B1
Phim ảnh
8:55
Ella Bright and Belmont Cameli Do an Off Campus-Inspired Sexy Little Dance with Jimmy | Tonight Show
The Tonight Show Starring Jimmy Fallon
B1
Phim ảnh
14:38
Jalen Brunson, Karl-Anthony Towns & Mike Brown Celebrate NBA Finals Victory, React to Superstitions
The Tonight Show Starring Jimmy Fallon
B1
Phim ảnh
Karaoke
25:21
Michael Scott Moments That Make Me Respect Him - The Office US
The Office
1
B1
Phim ảnh
Karaoke
40:19
Office Moments To Keep You Company At Work
The Office
1
