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Nerdwriter1
Two Ways To Film The Same Scene (#1)
Two Ways To Film The Same Scene (#1)
Nerdwriter1
·
8:57 · 24 thg 12, 2023
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Chấm điểm phát âm chưa hỗ trợ trên trình duyệt này — bạn vẫn ghi âm & nghe lại được.
so
if
you
wanted
to
see
how
film
making
has
changed
over
the
years
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so if you wanted to see how film making has changed over the years
0:04
ideally what you'd want is for two movies made decades apart to have the
0:10
exact same scene you'd want the first movie from say 1940
0:14
and the second almost 60 years later in 1998 well
0:19
as luck would have it that's exactly what we have right here on the
0:23
left erns Lu's classic romantic comedy the shop around the corner starring Jimmy Stewart
0:28
and Margaret Sullivan and on the right Nora Efron's 1998 remake You've Got Mail
0:34
starring Tom Hanks and Meg Ryan actually both of these movies were based on
0:38
the 1937 Hungarian play parfumery
0:41
which was also made into a movie musical starring Judy Garland in 1949
0:45
and a Broadway musical in 1963 the reason for this many adaptations is
0:50
because the plot is perfect for romantic comedy two people become Anonymous pen pals
0:56
and gradually fall in love
0:59
but unbeknown to them they actually know each other in real life
1:03
and don't get along at all they basically despise each other on the day
1:08
the pen pals finally agree to meet at a cafe the man who gets
1:12
their second sees through the window
1:14
that his beloved is actually his real life antagonist
1:19
and because of this doesn't reveal his true identity this imbalance of knowledge makes
1:24
for a marvelous scene of dramatic irony creating a tension
1:29
that is at once heart-wrenching
1:30
and hilarious are you deliberately trying to spoil my evening why do you want
1:34
to do me harm why do you hate me
1:35
so I don't hate you oh I suppose you love me well why should
1:39
I what have you done to make me love you well I don't want
1:41
you to love me I don't all the film adaptations of the play have
1:45
this scene the cafe scene
1:46
and they all play out in pretty much the same way how the versions
1:50
differ is in the film language used to Stage the scene
1:54
that language tells you something about the director's Vision
1:58
but it also tells you something thing about the conventions of different eras of
2:02
movie making leaving aside the musical let's compare the 1940
2:06
and 1998 versions and they are comparable
2:10
as they cover the same beats
2:11
and are roughly the same length the shop around the corners Cafe scene is
2:15
8 minutes and 19 seconds long
2:17
and you've got M's Cafe scene is 9 minutes
2:20
and 43 seconds the first
2:22
and most important thing to notice the thing
2:24
that other differences spring from is the number of shots used to cover the
2:29
scene in 1940 lubit filmed the cafe scene in just 19 shots in comparison
2:37
Nora Effron 58 years later used 133 shots for the same material
2:44
that is of course a massive difference the average shot length in the earlier
2:48
version is a whopping 26.2 seconds
2:52
while in You've Got Mail the average shot length is just 4.4 seconds
2:56
so where do these 114 extra shots come from
3:00
and you've got mail well let's look at the setup of this scene
3:03
when the man and his friend arrive at the cafe
3:05
and look through the window for the pen pal in shop around the corner
3:09
luit lets it play in one unbroken medium two shot Efron on the other
3:14
hand opts for shot reverse shot cutting back
3:18
and forth from the man to his friend it's the same throughout the entire
3:22
scene lubit prefers long two shots
3:25
while Efron goes for shot reverse now one of these techniques is not necessarily
3:30
better or worse than the other both have their advantages shot reverse shot for
3:35
example gives a director greater control of pacing in the editing phase
3:39
and it lets you use different takes
3:41
and different framings like close-ups to fine-tune the emotional Arc of the scene long
3:47
two shots on the other hand tie the editor's hands
3:50
but they convey a palpable sense of time
3:53
and space especially the space between the actors every action
3:57
and reaction in a twoot is is real lubit
4:00
and Efron of course had personal reasons for their shot selections
4:04
but those choices also reflect the times films of the 20s
4:08
and 30s and 40s have much longer shots on average than films of the
4:13
'90s or 2000s now there are a lot of reasons for this
4:17
but it's partly due to the influence of other media on Cinema early film
4:22
making techniques were influenced by the conventions of stage plays where many filmmakers began
4:28
their careers audien were used to being their own editors choosing where to look
4:33
in the frame and
4:34
when films of the ' 80s
4:36
and '90s were influenced by music videos
4:39
and commercials which increased viewer tolerance for more rapid editing it's tempting to say
4:45
this change reflects a shortening of attention spans
4:48
but human attention like Cinema is structured by The Wider world the sheer amount
4:54
of information people were expected to consume
4:57
and digest increased enor ously from 1940 to 1998
5:02
so information was condensed into shorter faster units hurry hurry hurry
5:08
and this seeps into everything including our movies
5:11
and their language this is obviously not to say there are no long takes
5:16
in modern movies but I think it is true
5:19
that long takes especially static long takes stand out to us in a way
5:24
that they didn't in 1940 they feel like an aesthetic Choice rather than the
5:29
invisible Norm they challenge us they challenge
5:32
that anxious feeling way down deep in us
5:35
which grows the longer
5:38
and longer they go on
5:40
that we're not getting enough information for our time
5:44
which is a shame I mean this is not a video disparaging Nora Efron
5:48
who I think is a really good filmmaker
5:50
and a great writer
5:52
but I do believe
5:53
that the lubit version of the cafe scene augments the material more a two
5:58
shot like this for example visualizes the imbalance of knowledge
6:02
that Jimmy Stewart knows more than Margaret Sullivan
6:05
and long static takes make even the smallest camera movements incredibly impactful with only
6:12
19 shots every one counts lubit does use shot reverse shot
6:18
but only when it will sink deepest
6:20
and do the most damage you know people seldom go to the trouble of
6:24
scratching the surface of things to find the inner truth well I really wouldn't
6:29
get as scratch your surface Mr Crowley
6:31
because I know exactly what I'd find instead of a heart a handbag instead
6:35
of a soul or suitcase
6:38
and instead of an intellect a cigarette lighter
6:42
which doesn't work by the time we get to the same moment
6:46
and you've got mail we've already been in shot reverse shot for a
6:50
while and the lines don't nearly hit
6:52
as hard could discover a lot of things
6:54
if you really knew me
6:56
if I really knew you I know what I would find instead of a
6:58
brain a cash register instead of a heart a bottom line you know in
7:03
my opinion movies haven't gotten better
7:06
or worse over time they've just changed mirroring the ways
7:10
that we've become more sophisticated
7:13
and Visually literate busier savier in some ways more jaded in many ways more
7:19
thoughtful but there are unique things about the early Decades of Cinema
7:24
that can't really be replicated today things
7:27
that were sad to lose the good news is
7:30
that these movies still exist
7:32
and the holiday season is a great excuse to watch one
7:36
so if you're looking for something special to watch with the family this year
7:40
let this video be my recommendation 1940s the shop around the corner by erns
7:46
lubich a movie that's of its time in its construction
7:50
but Timeless in its appeal enjoy hey everybody happy holidays
7:57
and thank you so much for watching I just noticed no
7:59
that as of a few days before Christmas 2023 the hard cover of my
8:03
book of essays is on sale for just $44.24
8:07
if you haven't read the book yet
8:08
and are looking for something fun
8:09
and easy to read over the holiday that's a really good deal I don't
8:13
know how long it's going to last
8:14
but I thought I'd let you know
8:15
and I'll leave the link in the description below this episode was brought to
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and when you're ready to launch
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that site go to squarespace.com nerdwriter for 10% off your first purchase thanks again
8:54
guys happy holidays and I'll see you next time
Thích
Chia sẻ
Nerdwriter1
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