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Why humans need fiction, according to neuroscience
Why humans need fiction, according to neuroscience
Big Think
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4:55 · May 14, 2026
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0:01
The behavior comes out.
0:02
And then there's this little narrator up there
0:04
that turns it into a story
0:06
that makes us feel coherent
0:07
and unified.
0:10
Turns out it's a thing in the left hemisphere
0:12
that does this and we called it the interpreter.
0:29
Consciousness is not a linear flow of what's happening around us,
0:34
but sort of a convenient narrative of what's happening around us,
0:38
created for our viewing pleasure by the unconscious brain.
0:43
It's a very powerful force in the human condition,
0:46
and it's always trying to figure out and seek explanations for our behavior.
0:57
In my early part of my career,
0:59
I studied patients who had their two brains disconnected,
1:03
working out the functions of each hemisphere.
1:05
Test results show that speech is localized in only one half brain.
1:10
Doctor Gazzaniga now reconstructs the test.
1:13
We would put a question to the right non-speaking hemisphere, and it,
1:17
in effect, would direct the left hand to do something.
1:21
So the patient would do that. - And Joe sees two words simultaneously.
1:25
Bell goes to his non-speaking right brain — Music to his speaking left brain.
1:33
When asked to point to a picture of what he saw, he chooses Bell.
1:37
And then we would simply say to the patient, well,
1:39
why did you do that?
1:41
We found out that in the left brain,
1:44
there's a special system
1:46
that seems to always want to explain actions
1:50
and moods that we have after they occurred.
1:54
Why do you pick that one?
1:57
Music. - Music?
1:58
There was music and bell.
1:59
And it was a few minutes ago.
2:00
The last time I heard any music was coming from the bells out here.
2:04
Banging away.
2:05
So the bells outside here.
2:07
What's extraordinary is that Joe's speaking left brain concocts a plausible story of why
2:12
he pointed to Bell,
2:13
even when some of the other pictures more obviously represent music.
2:18
We're learning and appreciating the ways in which we produce our perception,
2:24
our cognition and our consciousness and all the rest of it.
2:32
There's evidence that consciousness is not really what it seems to be.
2:37
We feel our subjective experiences unfolding in the world around us in sort of
2:42
this linear narrative in
2:44
which B follows A,
2:45
in which C follows B and D follows C,
2:48
but in reality it seems that our conscious narrative might not be that linear.
2:55
If you think of something like speech,
2:57
you're probably not aware of my speech in a syllable-by-syllable,
3:00
word-by-word manner.
3:03
So, for example, the word mouse could mean a rodent,
3:06
or it could be the mouse pad of a computer.
3:09
Well if I say, "The mouse pad was beside the computer," in that case,
3:14
the mouse can only be understood as a mouse pad.
3:18
So it seems to be this chunking that happens,
3:20
in which your unconscious mind reaches a point of analysis by sampling everything that's
3:27
happening around it to deliver something a nice narrative of the world around us
3:31
into our conscious mind.
3:40
I think the human as a storytelling animal, as some people put it,
3:44
is because the system is continually trying to keep the story coherent,
3:49
even though these actions may be coming from processors going on outside of, initially,
3:55
of conscious awareness.
3:56
It's one of the reasons why people are different too,
3:58
because people have different experiences, so they have different things they're trying to explain.
4:02
So your experiences are different than my experiences and so your storyline,
4:07
and we may start off with the same interpreter,
4:09
but because all your experiences are different, your actual environmental experience,
4:13
your temperament differences and all the rest of it,
4:15
that's going to color everything in a little different way
4:18
and this interpreter is going to make up a different story about it.
4:20
Why does the human always seem to like fiction?
4:23
Could it be that
4:24
that prepares us for unexpected things
4:27
that happen in our life?
4:28
because we've already thought about them in our fantasy world,
4:31
saw how those characters acted, and so then when we're confronted with it,
4:34
we're writing it.
4:35
We've sort of lived through that movie, as it were.
4:38
So why do we like that stuff?
4:39
Well, maybe that's a reason why we like it.
4:41
And to think of all of those things, it seems to me,
4:44
just to make it all richer, a richer experience.
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